Open with QR Code
Scan this code to open the model on your device, then, tap on the AR icon
Or, open this link with your mobile:
Your device is not compatible
Your version of is too old to display models in AR.
or newer is required.
Update your device or try on another device.
Augmented Reality is only available on mobile or tablet devices
Supported devices: iPhone 6S+ & iPad 5+ on iOS 12+ and Android 8.0+ with ARCore 1.9 support
Open this page with such a device to experience AR.
AR is not available for this model yet.
Please try again later or contact us if the problem persists.
Loading 3D model
3D viewer is not available.
Learn more here
You are seeing a 360° image instead.
Connection error. Please try again.
Sorry, the model can't be displayed.
Please check out our FAQ to learn how to fix this issue.
It looks like your browser or this site is blocking some scripts or cookies necessary to properly display the viewer.
View this model on Sketchfab :
https://sketchfab.com/models/8601476e739641a187bbcb72b6ace677/embed?utm_source=website&utm_campaign=blocked_scripts_error
Or visit the Help Center for more information:
https://help.sketchfab.com/hc/en-us/articles/203059088-Compatibility?utm_source=website&utm_campaign=blocked_scripts_error#troubleshooting-scripts
Loss Sets translates poems co-written by Jordan Scott and Aaron Tucker into sculptures printed with 3D printers. The project aims to respond to the multiples of loss (physical, environmental, artistic, personal) that occur in 2016 and, as such, the poems respond to a number of topics that include ISIS’s destruction of millennium-old artwork, the melting of Canadian ice fields and sculptures, the death of loved ones, prosthetics, decaying memories. Working with Ryerson’s Digital Media Experience Lab, the Ryerson Geospatial Maps and Data Centre and the Ryerson Centre for Digital Humanities, and under the collaboration of Namir Ahmed, Tiffany Cheung and Aaron Tucker, those poems are mapped into the 3D modeling software Rhino; using the Rhino plug-in Grasshopper, the models are further manipulated by using geographical information from the Columbia Ice Fields until a sculpture is “carved away” from a 32x32x32 cube. The results are then printed using a 3D printer.
Comments