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More model informationThe women painted in the Tamada style always wear long dresses. In the Manda China shelter depictions, hairpins and rcumbent feathers decorate the hairstyle. The gown covers the legs to the ankles, but the prominent buttock indicates the view of the lower body is by the lateral profile. The posed mannequin replicates the painted silhouette imperfectly, meaning that women are in twisted perspective.
Reference: Alessandro Menardi Noguera 2018. The emergence of an artistic canon at the Tamada discontinuity (Ennedi, Chad).
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