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More model informationFound in Schleswig-Holstein, Germany.
“The development of this identity was probably the most important motivation for the bourgeoisie to collect art. It was a way to define themselves as a new group and to communicate this identity to the outside world. This self-defining function is in fact probably the strongest driving force behind every collection.”
Rovers, E. 2009. The art collector – between philanthropy and self-glorification. In: Journal of the History of Collections vol. 21 (2). 159.
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Jun 8th 2021
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